“Able to draw the listener into his own ­feeling of ­renewed discovery”

– Chicago Tribune
Press packet

Jeremy Denk is one of America’s foremost pianists, proclaimed by the New York Times as "a pianist you want to hear no matter what he performs". Denk is also a New York Times bestselling author, the recipient of both the MacArthur 'Genius' Fellowship and the Avery Fisher Prize, and a member of the American Academy of Arts and Sciences.

In the 2024/25 season, Denk will continue his collaboration with longtime musical partners Joshua Bell and Steven Isserlis. This includes performances at the Tsindali Festival and Wigmore Hall, on the heels of his multi-concert artist residency at the Wigmore in 2023/24.

Denk also returns to the Lammermuir Festival in multiple performances, including the complete Ives violin sonatas with Maria Wloszczowska, and a solo recital featuring female composers from the past to the present day. He continues to perform this same solo programme on tour across the US, and will further his exploration of Bach in ongoing performances of the complete Partitas.

Furthermore, the pianist is known for his interpretations of the music of American visionary Charles Ives — and in celebration of the 150th anniversary of the composer's birth, Nonesuch Records will release a collection of his Ives recordings later this year.

Highlights of Denk's 2023/24 season included premiering a new concerto written for him by Anna Clyne, co-commissioned and performed by the Dallas Symphony led by Fabio Luisi, the City of Birmingham Symphony led by Kazuki Yamada, and the New Jersey Symphony led by Markus Stenz. He also reunited with Krzysztof Urbański to perform with the Antwerp Symphony, and with the Danish String Quartet for their festival Series of Four.

Denk has performed frequently at Carnegie Hall, and in recent years has worked with such orchestras as Chicago Symphony, Cleveland Orchestra, New York Philharmonic, and San Francisco Symphony. Meanwhile, he has performed multiple times at the BBC Proms and Klavierfestival Ruhr, and appeared in such halls as the Köln Philharmonie, Concertgebouw in Amsterdam, and Boulez Saal in Berlin.

He has also performed extensively across the UK, including recently with the London Philharmonic, Bournemouth Symphony, City of Birmingham Symphony, Royal Liverpool Philharmonic, BBC Symphony, and Scottish Chamber Orchestra.

Denk is also known for his original and insightful writing on music, which Alex Ross praises for its “arresting sensitivity and wit.” His New York Times bestselling memoir, Every Good Boy Does Fine was published to universal acclaim by Random House in 2022. Meanwhile, his latest album of Mozart piano concertos was deemed “urgent and essential” by BBC Radio 3, while his recording of the Goldberg Variations reached No. 1 on the Billboard classical charts.

“An unerring sense of the music’s dramatic ­structure and a great actor’s intuition for ­timing”

– Boston Globe

Denk has performed multiple times at Carnegie Hall and in recent years has worked with such orchestras as Chicago Symphony, Philadelphia Orchestra, New York Philharmonic, Los Angeles Philharmonic, San Francisco Symphony, and Cleveland Orchestra. Further afield, he has performed multiple times at the BBC Proms and Klavierfestival Ruhr, and appeared in such halls as the Köln Philharmonie, Concertgebouw in Amsterdam, and Boulez Saal in Berlin. He has also performed extensively across the UK, including recently with the London Philharmonic, Bournemouth Symphony, City of Birmingham Symphony, Royal Liverpool Philharmonic, BBC Symphony, Scottish Chamber Orchestra, and play-directing the Britten Sinfonia. Last season’s highlights include his performance of the Well-Tempered Klavier Book 1 at the Barbican in London, and performances of John Adams’ Must the Devil Have All The Great Tunes? with the Cleveland Orchestra, St. Louis Symphony, and Seattle Symphony, as well as a return to the San Francisco Symphony to perform Messiaen under Esa Pekka Salonen.

Denk’s latest album of Mozart piano concertos was released in 2021 on Nonesuch Records. The album, deemed “urgent and essential” by BBC Radio 3. His recording of the Goldberg Variations for Nonesuch Records reached No. 1 on the Billboard Classical Charts, and his recording of Beethoven’s Piano Sonata Op. 111 paired with Ligeti’s Études was named one of the best discs of the year by the New Yorker, NPR, and the Washington Post, while his account of the Beethoven sonata was selected by BBC Radio 3’s Building a Library as the best available version recorded on modern piano.